SVG Coding Examples: Useful Recipes For Writing Vectors By Hand

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Even though I am the kind of front-end engineer who manually cleans up SVG files when they are a mess, I never expected to become one of those people. You know, those crazy people that draw with code.

But here we are.

I dove deep into SVG specs last winter when I created a project to draw Calligraphy Grids, and even though I knew the basic structures and rules of SVG, it was only then that I fully tried to figure out and understand what all of those numbers meant and how they interacted with each other.

And, once you get the hang of it, it is actually very interesting and quite fun to code SVG by hand.

No <path> ahead

We won’t go into more complex SVG shapes like paths in this article, this is more about practical information for simple SVGs. When it comes to drawing curves, I still recommend using a tool like Illustrator or Affinity. However, if you are super into compounding your lines, a path is useful. Maybe we’ll do that in Part 2.

Also, this guide focuses mostly on practical examples that illustrate some of the math involved when drawing SVGs. There is a wonderful article here that goes a bit deeper into the specs, which I recommend reading if you’re more interested in that: “A Practical Guide To SVG And Design Tools.”
Drawing With Math. Remember Coordinate Systems?

Illustrator, Affinity, and all other vector programs are basically just helping you draw on a coordinate system, and then those paths and shapes are stored in SVG files.

If you open up these files in an editor, you’ll see that they are just a bunch of paths that contain lots of numbers, which are coordinates in that coordinate system that make up the lines.

But, there is a difference between the all-powerful <path> and the other, more semantic elements like <rect>, <circle>, <line>, <ellipse>, <polygon>, and <polyline>.

These elements are not that hard to read and write by hand, and they open up a lot of possibilities to add animation and other fun stuff. So, while most people might only think of SVGs as never-pixelated, infinitely scaling images, they can also be quite comprehensive pieces of code.

How Does SVG Work? unit != unit

Before we get started on how SVG elements are drawn, let’s talk about the ways units work in SVG because they might be a bit confusing when you first get started.

The beauty of SVG is that it’s a vector format, which means that the units are somewhat detached from the browser and are instead just relative to the coordinate system you’re working in.

That means you would not use a unit within SVG but rather just use numbers and then define the size of the document you’re working with.

So, your width and height might be using CSS rem units, but in your viewBox, units become just a concept that helps you in establishing sizing relationships.

What Is The viewBox?

The viewBox works a little bit like the CSS aspect-ratio property. It helps you establish a relationship between the width and the height of your coordinate system and sets up the box you’re working in. I tend to think of the viewBox as my “document” size.

Any element that is placed within the SVG with bigger dimensions than the viewBox will not be visible. So, the viewBox is the cutout of the coordinate system we’re looking through. The width and height attributes are unnecessary if there is a viewBox attribute.

So, in short, having an SVG with a viewBox makes it behave a lot like a regular image. And just like with images, it’s usually easiest to just set either a width or a height and let the other dimension be automatically sized based on the intrinsic aspect ratio dimensions.

So, if we were to create a function that draws an SVG, we might store three separate variables and fill them in like this:

`<svg 
  width="${svgWidth}" 
  viewBox="0 0 ${documentWidth} ${documentHeight}" 
  xmlns="http://www.w3.org/2000/svg"
>`;

SVG Things Of Note

There is a lot to know about SVG: When you want to reuse an image a lot, you may want to turn it into a symbol that can then be referenced with a use tag, you can create sprites, and there are some best practices when using them for icons, and so on.

Unfortunately, this is a bit out of the scope of this article. Here, we’re mainly focusing on designing SVG files and not on how we can optimize and use them.

However, one thing of note that is easier to implement from the start is accessibility.

SVGs can be used in an <img> tag, where alt tags are available, but then you lose the ability to interact with your SVG code, so inlining might be your preference.

When inlining, it’s easiest to declare role="img" and then add a <title> tag with your image title.

Note: You can check out this article for SVG and Accessibility recommendations.

<svg
  role="img"
  [...attr]
>
  <title>An accessible title</title>
  <!-- design code -->
</svg>
Drawing SVG With JavaScript

There is usually some mathematics involved when drawing SVGs. It’s usually fairly simple arithmetic (except, you know, in case you draw calligraphy grids and then have to dig out trigonometry…), but I think even for simple math, most people don’t write their SVGs in pure HTML and thus would like to use algebra.

At least for me, I find it much easier to understand SVG Code when giving meaning to numbers, so I always stick to JavaScript, and by giving my coordinates names, I like them immeasurable times more.

So, for the upcoming examples, we’ll look at the list of variables with the simple math and then JSX-style templates for interpolation, as that gives more legible syntax highlighting than string interpolations, and then each example will be available as a CodePen.

To keep this Guide framework-agnostic, I wanted to quickly go over drawing SVG elements with just good old vanilla JavaScript.

We’ll create a container element in HTML that we can put our SVG into and grab that element with JavaScript.

<div data-svg-container></div>
<script src="template.js"></script>

To make it simple, we’ll draw a rectangle <rect> that covers the entire viewBox and uses a fill.

Note: You can add all valid CSS values as fills, so a fixed color, or something like currentColor to access the site’s text color or a CSS variable would work here if you’re inlining your SVG and want it to interact with the page it’s placed in.

Let’s first start with our variable setup.

// vars
const container = document.querySelector("[data-svg-container]");
const svgWidth = "30rem"; // use any value with units here
const documentWidth = 100;
const documentHeight = 100;
const rectWidth = documentWidth;
const rectHeight = documentHeight;
const rectFill = "currentColor"; // use any color value here
const title = "A simple square box";

Method 1: Create Element and Set Attributes

This method is easier to keep type-safe (if using TypeScript) — uses proper SVG elements and attributes, and so on — but it is less performant and may take a long time if you have many elements.

const svg = document.createElementNS("http://www.w3.org/2000/svg", "svg");
const titleElement = document.createElementNS("http://www.w3.org/2000/svg", "title");
const rect = document.createElementNS("http://www.w3.org/2000/svg", "rect");

svg.setAttribute("width", svgWidth);
svg.setAttribute("viewBox", 0 0 ${documentWidth} ${documentHeight});
svg.setAttribute("xmlns", "http://www.w3.org/2000/svg");
svg.setAttribute("role", "img");

titleElement.textContent = title;

rect.setAttribute("width", rectWidth);
rect.setAttribute("height", rectHeight);
rect.setAttribute("fill", rectFill);

svg.appendChild(titleElement);
svg.appendChild(rect);

container.appendChild(svg);

Here, you can see that with the same coordinates, a polyline won’t draw the line between the blue and the red dot, while a polygon will. However, when applying a fill, they take the exact same information as if the shape was closed, which is the right side of the graphic, where the polyline makes it look like a piece of a circle is missing.

This is the second time where we have dealt with quite a bit of repetition, and we can have a look at how we could leverage the power of JavaScript logic to render our template faster.

But first, we need a basic implementation like we’ve done before. We’re creating objects for the circles, and then we’re chaining the cx and cy values together to create the points attribute. We’re also storing our transforms in variables.

const polyDocWidth = 200;
const polyDocHeight = 200;
const circleOne = { cx: 25, cy: 80, r: 10, fill: "red" };
const circleTwo = { cx: 40, cy: 20, r: 5, fill: "lime" };
const circleThree = { cx: 70, cy: 60, r: 8, fill: "cyan" };
const points = ${circleOne.cx},${circleOne.cy} ${circleTwo.cx},${circleTwo.cy} ${circleThree.cx},${circleThree.cy};
const moveToTopRight = translate(${polyDocWidth / 2}, 0);
const moveToBottomRight = translate(${polyDocWidth / 2}, ${polyDocHeight / 2});
const moveToBottomLeft = translate(0, ${polyDocHeight / 2});

And then, we apply the variables to the template, using either a polyline or polygon element and a fill attribute that is either set to none or a color value.


<svg
  width={svgWidth}
  viewBox={`0 0 ${polyDocWidth} ${polyDocHeight}`}
  xmlns="http://www.w3.org/2000/svg"
  role="img"
>
  <title>Composite shape comparison</title>
  <g>
    <circle
      cx={circleOne.cx}
      cy={circleOne.cy}
      r={circleOne.r}
      fill={circleOne.fill}
    />
    <circle
      cx={circleTwo.cx}
      cy={circleTwo.cy}
      r={circleTwo.r}
      fill={circleTwo.fill}
    />
    <circle
      cx={circleThree.cx}
      cy={circleThree.cy}
      r={circleThree.r}
      fill={circleThree.fill}
    />
    <polyline
      points={points}
      fill="none"
      stroke="black"
    />
  </g>
  <g transform={moveToTopRight}>
    <circle
      cx={circleOne.cx}
      cy={circleOne.cy}
      r={circleOne.r}
      fill={circleOne.fill}
    />
    <circle
      cx={circleTwo.cx}
      cy={circleTwo.cy}
      r={circleTwo.r}
      fill={circleTwo.fill}
    />
    <circle
      cx={circleThree.cx}
      cy={circleThree.cy}
      r={circleThree.r}
      fill={circleThree.fill}
    />
    <polyline
      points={points}
      fill="white"
      stroke="black"
    />
  </g>
  <g transform={moveToBottomLeft}>
    <circle
      cx={circleOne.cx}
      cy={circleOne.cy}
      r={circleOne.r}
      fill={circleOne.fill}
    />
    <circle
      cx={circleTwo.cx}
      cy={circleTwo.cy}
      r={circleTwo.r}
      fill={circleTwo.fill}
    />
    <circle
      cx={circleThree.cx}
      cy={circleThree.cy}
      r={circleThree.r}
      fill={circleThree.fill}
    />
    <polygon
      points={points}
      fill="none"
      stroke="black"
    />
  </g>
  <g transform={moveToBottomRight}>
    <circle
      cx={circleOne.cx}
      cy={circleOne.cy}
      r={circleOne.r}
      fill={circleOne.fill}
    />
    <circle
      cx={circleTwo.cx}
      cy={circleTwo.cy}
      r={circleTwo.r}
      fill={circleTwo.fill}
    />
    <circle
      cx={circleThree.cx}
      cy={circleThree.cy}
      r={circleThree.r}
      fill={circleThree.fill}
    />
    <polygon
      points={points}
      fill="white"
      stroke="black"
    />
  </g>
</svg>

And here’s a version of it to play with:

See the Pen SVG Polygon / Polyline (simple) [forked] by Myriam.

Dealing With Repetition

When it comes to drawing SVGs, you may find that you’ll be repeating a lot of the same code over and over again. This is where JavaScript can come in handy, so let’s look at the composite example again and see how we could optimize it so that there is less repetition.

Observations:

  • We have three circle elements, all following the same pattern.
  • We create one repetition to change the fill style for the element.
  • We repeat those two elements one more time, with either a polyline or a polygon.
  • We have four different transforms (technically, no transform is a transform in this case).

This tells us that we can create nested loops.

Let’s go back to just a vanilla implementation for this since the way loops are done is quite different across frameworks.

You could make this more generic and write separate generator functions for each type of element, but this is just to give you an idea of what you could do in terms of logic. There are certainly still ways to optimize this.

I’ve opted to have arrays for each type of variation that we have and wrote a helper function that goes through the data and builds out an array of objects with all the necessary information for each group. In such a short array, it would certainly be a viable option to just have the data stored in one element, where the values are repeated, but we’re taking the DRY thing seriously in this one.

The group array can then be looped over to build our SVG HTML.

const container = document.querySelector("[data-svg-container]");
const svgWidth = 200;
const documentWidth = 200;
const documentHeight = 200;
const halfWidth = documentWidth / 2;
const halfHeight = documentHeight / 2;
const circles = [
  { cx: 25, cy: 80, r: 10, fill: "red" },
  { cx: 40, cy: 20, r: 5, fill: "lime" },
  { cx: 70, cy: 60, r: 8, fill: "cyan" },
];
const points = circles.map(({ cx, cy }) => ${cx},${cy}).join(" ");
const elements = ["polyline", "polygon"];
const fillOptions = ["none", "white"];
const transforms = [
  undefined,
  translate(${halfWidth}, 0),
  translate(0, ${halfHeight}),
  translate(${halfWidth}, ${halfHeight}),
];
const makeGroupsDataObject = () => {
  let counter = 0;
  const g = [];
  elements.forEach((element) => {
    fillOptions.forEach((fill) => {
      const transform = transforms[counter++];
      g.push({ element, fill, transform });
    });
  });
  return g;
};
const groups = makeGroupsDataObject();
// result:
// [
//   {
//     element: "polyline",
//     fill: "none",
//   },
//   {
//     element: "polyline",
//     fill: "white",
//     transform: "translate(100, 0)",
//   },
//   {
//     element: "polygon",
//     fill: "none",
//     transform: "translate(0, 100)",
//   },
//   {
//     element: "polygon",
//     fill: "white",
//     transform: "translate(100, 100)",
//   }
// ]

const svg = document.createElementNS("http://www.w3.org/2000/svg", "svg");
svg.setAttribute("width", svgWidth);
svg.setAttribute("viewBox", 0 0 ${documentWidth} ${documentHeight});
svg.setAttribute("xmlns", "http://www.w3.org/2000/svg");
svg.setAttribute("role", "img");
svg.innerHTML = "<title>Composite shape comparison</title>";
groups.forEach((groupData) => {
  const circlesHTML = circles
    .map((circle) => {
      return &lt;circle 
          cx="${circle.cx}" 
          cy="${circle.cy}" 
          r="${circle.r}" 
          fill="${circle.fill}"
        /&gt;;
    })
    .join("");
  const polyElementHTML = &lt;${groupData.element} 
      points="${points}" 
      fill="${groupData.fill}" 
      stroke="black" 
    /&gt;;
  const group = &lt;g ${groupData.transform ?transform="${groupData.transform}": ""}&gt;
        ${circlesHTML}
        ${polyElementHTML}
      &lt;/g&gt;;
  svg.innerHTML += group;
});
container.appendChild(svg);

And here’s the Codepen of that:

See the Pen SVG Polygon / Polyline (JS loop version) [forked] by Myriam.

More Fun Stuff

Now, that’s all the basics I wanted to cover, but there is so much more you can do with SVG. There is more you can do with transform; you can use a mask, you can use a marker, and so on.

We don’t have time to dive into all of them today, but since this started for me when making Calligraphy Grids, I wanted to show you the two most satisfying ones, which I, unfortunately, can’t use in the generator since I wanted to be able to open my generated SVGs in Affinity and it doesn’t support pattern.

Okay, so pattern is part of the defs section within the SVG, which is where you can define reusable elements that you can then reference in your SVG.

Graph Grid with pattern

If you think about it, a graph is just a bunch of horizontal and vertical lines that repeat across the x- and y-axis.

So, pattern can help us with that. We can create a <rect> and then reference a pattern in the fill attribute of the rect. The pattern then has its own width, height, and viewBox, which defines how the pattern is repeated.

So, let’s say we want to perfectly center our graph grid in any given width or height, and we want to be able to define the size of our resulting squares (cells).

Once again, let’s start with the JavaScipt variables:

const graphDocWidth = 226;
const graphDocHeight = 101;
const cellSize = 5;
const strokeWidth = 0.3;
const strokeColor = "currentColor";
const patternHeight = (cellSize / graphDocHeight) * 100;
const patternWidth = (cellSize / graphDocWidth) * 100;
const gridYStart = (graphDocHeight % cellSize) / 2;
const gridXStart = (graphDocWidth % cellSize) / 2;

Now, we can apply them to the SVG element:

<svg
  width={svgWidth}
  viewBox={`0 0 ${graphDocWidth} ${graphDocHeight}`}
  xmlns="http://www.w3.org/2000/svg"
  role="img"
>
  <defs>
    <pattern
      id="horizontal"
      viewBox={`0 0 ${graphDocWidth} ${strokeWidth}`}
      width="100%"
      height={`${patternHeight}%`}
    >
      <line
        x1="0"
        x2={graphDocWidth}
        y1={gridYStart}
        y2={gridYStart}
        stroke={strokeColor}
        stroke-width={strokeWidth}
      />
    </pattern>
    <pattern
      id="vertical"
      viewBox={`0 0 ${strokeWidth} ${graphDocHeight}`}
      width={`${patternWidth}%`}
      height="100%"
    >
      <line
        y1={0}
        y2={graphDocHeight}
        x1={gridXStart}
        x2={gridXStart}
        stroke={strokeColor}
        stroke-width={strokeWidth}
      />
    </pattern>
  </defs>
  <title>A graph grid</title>
  <rect
    width={graphDocWidth}
    height={graphDocHeight}
    fill="url(#horizontal)"
  />
  <rect
    width={graphDocWidth}
    height={graphDocHeight}
    fill="url(#vertical)"
  />
</svg>

And this is what that then looks like:

See the Pen SVG Graph Grid [forked] by Myriam.

Dot Grid With pattern

If we wanted to draw a dot grid instead, we could simply repeat a circle. Or, we could alternatively use a line with a stroke-dasharray and stroke-dashoffset to create a dashed line. And we’d only need one line in this case.

Starting with our JavaScript variables:

const dotDocWidth = 219;
const dotDocHeight = 100;
const cellSize = 4;
const strokeColor = "black";
const gridYStart = (dotDocHeight % cellSize) / 2;
const gridXStart = (dotDocWidth % cellSize) / 2;
const dotSize = 0.5;
const patternHeight = (cellSize / dotDocHeight) * 100;

And then adding them to the SVG element:

<svg
  width={svgWidth}
  viewBox={`0 0 ${dotDocWidth} ${dotDocHeight}`}
  xmlns="http://www.w3.org/2000/svg"
  role="img"
>
  <defs>
    <pattern
      id="horizontal-dotted-line"
      viewBox={`0 0 ${dotDocWidth} ${dotSize}`}
      width="100%"
      height={`${patternHeight}%`}
    >
      <line
        x1={gridXStart}
        y1={gridYStart}
        x2={dotDocWidth}
        y2={gridYStart}
        stroke={strokeColor}
        stroke-width={dotSize}
        stroke-dasharray={`0,${cellSize}`}
        stroke-linecap="round"
      ></line>
    </pattern>
  </defs>
  <title>A Dot Grid</title>
  <rect
    x="0"
    y="0"
    width={dotDocWidth}
    height={dotDocHeight}
    fill="url(#horizontal-dotted-line)"
  ></rect>
</svg>

And this is what that looks like:

See the Pen SVG Dot Grid [forked] by Myriam.

Conclusion

This brings us to the end of our little introductory journey into SVG. As you can see, coding SVG by hand is not as scary as it seems. If you break it down into the basic elements, it becomes quite like any other coding task:

  • We analyze the problem,
  • Break it down into smaller parts,
  • Examine each coordinate and its mathematical breakdown,
  • And then put it all together.

I hope that this article has given you a starting point into the wonderful world of coded images and that it gives you the motivation to delve deeper into the specs and try drawing some yourself.



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20+ Best Square Fonts for Blocky Designs

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Square fonts, known for their geometric precision and modern aesthetic, are perfect for projects that require a strong, edgy look.

Whether you’re working on branding, posters, website headers, or packaging, these blocky fonts deliver a clean, impactful design that stands out. They evoke a sense of strength, stability, and contemporary style, making them a favorite for tech brands, gaming designs, and any project aiming for a futuristic or industrial feel.

In this post, we’ve compiled the best square fonts that combine boldness with versatility. Each font offers something unique, whether it’s ultra-sharp edges for a striking appearance or more rounded, minimalist styles for a subtler approach. Have a look.

Higrah – Bold Square Font

Higrah - Bold Square Font

Higrah is a distinctive monospace font with a square letter design. It comes with a robust, masculine aesthetic, thanks to its unique capitalization and character styles. Higrah’s square lettering can be customized to your design preferences, providing accuracy and uniqueness to your work. Ideal for titles, logos, book covers, and more.

Trones – Techno Sci-Fi Font

Trones - Techno Sci-Fi Font

Trones, a futuristic techno sci-fi font, adds an innovative charm to your projects, ideally suited for futuristic-themed designs. Providing comprehensive features like uppercase, lowercase, numerals, punctuations, and multilingual support, this font is easy to use and adaptable.

Black Square – Tall Square Font

Black Square - Tall Square Font

Black Square is a striking and genuine display font that can add a bold edge to any branding initiative like logos, posters, sports merchandise, and more. Adaptable in various backdrops, it’s available in three formats: OTF, TTF, and WOFF, making it a versatile creative asset for design projects.

Delimo – Square Letters Font

Delimo - Square Letters Font

Delimo is a playful, contemporary square display font with bold strokes and eye-catching ligatures. It comes with multiple formats, accommodating 100+ languages for a versatile range of applications. Use it for logo designs, social media, movie or book titles, or pair it with script or serif for contrast in longer text.

TAMPOOL – Creative Square Font

TAMPOOL - Creative Square Font

TAMPOOL is a dynamic creative square font with a blocky appeal. The identical, robust shape of each character lends your text a powerful impact, making it ideal for sports-themed posters, motivational prints, t-shirts, headlines, and more. Try TAMPOOL font to amplify your message and leave a lasting impression.

Pocky Block – Cool Block Letter Font

Pocky Block - Cool Block Letter Font

Introduce a daring edge to your designs with Pocky Block, a crisp and modern block letter font. Offering a sporty and assertive vibe, it’s perfect for projects themed around sports, adventure, or the future. With two styles – Regular and Slanted, and over 100+ ligatures for dynamic textual design – this bold font brings energy to stickers, posters, logos and more.

The Tide – Modern Block Letter Font

The Tide - Modern Block Letter Font

The Tide is a modern block-letter font inspired by surf and beach culture. Ideal for aquatic-themed games, posters, or YouTube covers, this font captures the rebel energy and carefree philosophy of the surfer lifestyle. The Tide font family offers basic Latin characters, numbers, and punctuation.

Quabork – Futuristic Square Font

Quabork - Futuristic Square Font

With Quabork, a futuristic square font, transport yourself into a neon-drenched, pixelised space. It’s not simply a font, but an embodiment of retro-gaming arcade culture, radiating bold, blocky strokes that resemble neon lights and pulsating energy. Fully equipped with precision, Quabork comes in several formats, making it widely adaptable across platforms.

Kibrom – Urban Block Letter Fonts

Kibrom - Urban Block Letter Fonts

Showcase the vibrant pulse of city life with Kibrom, a collection of urban block letter fonts. Kibrom draws inspiration from the gritty reality of street culture, helping your work reflect the raw, unapologetic spirit of urban landscapes. Ideal for murals and gig posters, these blocky fonts will make your creations pop.

Block Qlock – Thick & Condensed Font

Block Qlock - Thick & Condensed Font

Block Qlock is a robust, original display font that lends itself well to various branding projects, from logos to sports merchandise and even posters. Adaptable across different contexts, it offers OTF, TTF, and WOFF formats for comprehensive coverage. With its distinct thick and condensed design, Block Qlock brings a unique edge to your creative expression.

KARL zone – Modern Block Letter Font

KARL zone - Modern Block Letter Font

The KARL Zone asset offers a modern block letter font that encapsulates power, speed and resilience. This bold, square font provides high impact and graphic aesthetics without compromising legibility. It’s perfect for larger prints (above 72pt), making it ideal for magazine headlines, posters, gym ads, music covers, or anywhere you want to command attention.

Knob – Modern Square Font

Knob - Modern Square Font

Presenting Knob, a modern square font with a fat and bold style that’s perfect for enhancing your designs. Ideal for use on mediums such as posters, magazines, books, vinyl, CDs, and flyers, this display typeface will make your messages stand out. The package includes otf and ttf files for convenience.

Black Block – Gaming Font

Black Block - Gaming Font

Black Block is a lively, bold font designed specifically for entertaining projects. Its blocky structure makes it the perfect fit for creating fun video games, interactive kids apps, engaging board games or even educational school materials. This unique, square font instinctively adds a playful touch to any project.

Greks Webol – Block & Bold Font

Greks Webol - Block & Bold Font

The Greks Webol is a distinct, bold display font that brings an authentic edge to your branding projects. Whether for logos, posters, or sports collateral, its blocky aesthetic works beautifully across a range of uses. The font includes uppercase and lowercase types, ligatures, numerals, punctuations, multilingual support, and an extended character set. Formats offered are OTF, TTF, and WOFF.

Lock Block – Block Display Font

Lock Block - Block Display Font

Lock Block is another square font featuring a block style display font that amplifies the robustness in design work. Crafted with geometric shapes, its powerful aesthetic is ideal for eye-catching headlines or posters. It houses three styles including regular, extrude, and shadow, and provides multilingual support.

Urban Blocking – Block Letter Font

Urban Blocking - Block Letter Font

Urban Blocking is a unique, dual-font aesthetic that masterfully blends the boldness of display type with the expressiveness of brush lettering. Its block-style uppercase letters have a bold, commanding presence, counterbalanced by the lively strokes and textured edges of the brush font. These versatile fonts come with features like ligatures, stylistic sets, and multilingual support, and are suited for various design projects such as headlines, logos, and printed media.

BLOKEE – Modern Blockletter Font

BLOKEE - Modern Blockletter Font

Check out BLOKEE, a modern blockletter font that’s eye-catching due to its bold and striking character. With its full block upper case and striped cut lower case, BLOKEE adds a strong and effective touch to your posters. Embrace its simplicity and strength to make your presentations stand out.

ASHOKA – Classic Square Font

ASHOKA - Classic Square Font

ASHOKA, a classic square font, delivers a unique 80s feel that commands attention and incites intrigue. More than just a standard Sans-Serif, this striking font gives a bold edge to headlines, logos, and business materials. Ideal for use in mature, provocative projects, this font enhances everything from economic posters to YouTube thumbnails.

Porcine Bosk – Modern Block Letter Font

Porcine Bosk - Modern Block Letter Font

The Porcine Bosk typeface is a modern block letter font with a unique wooden texture. It is versatile and perfect for various applications such as headlines, posters, logos and web designs. Designed by Michel Iona, this Sans Serif font has a classic and decorative appeal. The pack comes with OTF, TTF, and web fonts, and even includes a font demo page.

Goblock – Heavy Square Letters Font

Goblock - Heavy Square Letters Font

Goblock is a powerful font that adds a bold touch to your branding. Crafted with robust strokes and detailed characters, this fat, striking font leaves a memorable impression. It strikes the perfect balance between strength and authority. Featuring Latin glyphs, uppercase and lowercase letters, numerals, punctuation, and multilingual support, it’s versatile for any use.

Glubby – Fun Display Font

Glubby - Fun Display Font

Glubby is a distinctive display font that is sure to add a delightfully playful touch to your creative projects. Ideal for children-themed designs like posters, book covers, and headlines, this font, with its chunky and bold look, can turn large titles and letterings into kid-friendly texts. From English to Italian and Finnish, Glubby’s language versatility further enhances its appeal.

Bob – Chunky Square Letter Font

Bob - Chunky Square Letter Font

Bob is a chunky square-letter font that loves the spotlight. Ideally suited for large-scale uses like posters and prints, Bob boasts about 200 glyphs, comfortably accommodating basic Latin and more. Make room for Bob and let him add a bold and spacious edge to your projects.

Free Square Fonts

Angle Square – Free Block Letter Font

Angle Square - Free Block Letter Font

This font comes with a unique square-shaped letter design that will make your typography look modern and creative. The font features blocky letterforms and bold strokes. It’s free to use with personal projects.

Square Technocrat – Free Square Font

Square Technocrat - Free Square Font

This free square font comes in multiple styles. It includes blocky letters featuring narrow and condensed designs as well as in multiple weights. This font is free to use with your personal projects.

Double Square – Free Block Font

Double Square - Free Block Font

Double Square is another free block letter font you can use to craft stylish personal projects. This font also comes with square-shaped characters but also with unique textured designs.

Iamblock – Free Square Letter Font

Iamblock - Free Square Letter Font

This free block font is perfect for adding a creative look to your trendy design projects. It includes strong extruded characters with square-shaped letterforms. The font only includes uppercase letters. The font is free to use with commercial projects.

Block Stereo – Free Square Font

Block Stereo - Free Square Font

Block Stereo is another free font that comes with square letters. This font includes letterforms with stylish geometric shapes and an edgy look. It’s perfect for poster titles, flyers, banners, and much more. It’s free to use with personal and commercial projects.